Skip to:

Laura Wittman

People

Contact:

101 Pigott Hall
650 725 5243
lwittman@stanford.edu

Focal Groups:

User is not a member of any group.

Affinity links:

hermetic poetry
experimental novels
d’Annunzio
Valéry
women mystics
secularization
religion
cinema
Symbolist poetry
Nietzsche
poetry and poetics
literary theory
philosophical literature
philosophy
20th century
19th century

Laura Wittman

Associate Professor of French and Italian; Chair of Graduate Studies, Joint PhD in French and Italian

On leave 2014-2015

Laura Wittman primarily works on 19th- and 20th-century Italian and French literature from a comparative perspective. She is interested in connections between modernity, religion, and politics. Much of her work explores the role of the ineffable, the mystical, and the body in modern poetry, philosophy, and culture.

Her book, The Tomb of the Unknown Soldier, Modern Mourning, and the Reinvention of the Mystical Body (University of Toronto Press, 2011) was awarded the Marraro Award of the Society for Italian Historical Studies for 2012. It explores the creation and reception of the Tomb of the Unknown Soldier – an Italian, French, and British invention at the end of the First World War – as an emblem for modern mourning, from a cultural, historical, and literary perspective. It draws on literary and filmic evocations of the Unknown Soldier, as well as archival materials, to show that Tomb of the Unknown Soldier is not pro-war, nationalist, or even proto-Fascist. Rather, it is a monument that heals trauma in two ways: first, it refuses facile consolations, and forcefully dramatizes the fact that suffering cannot be spiritualized or justified by any ideology; second, it rejects despair by enacting, through the concreteness of a particular body, a human solidarity in suffering that commands respect. Anticipating recent analyses of PTSD, the Memorial shows that when traumatic events are relived in a ritual, embodied, empathetic setting, healing occurs not via analysis but via symbolic communication and transmission of emotion.

Laura Wittman is the editor of a special issue of the Romanic Review entitled Italy and France: Imagined Geographies (2006), as well as the co-editor of an anthology of Futurist manifestos and literary works, Futurism: An Anthology (Yale University Press, 2009). She has published articles on d’Annunzio, Marinetti, Fogazzaro, Ungaretti, Montale, and Sereni, as well as on decadent-era culture and Italian cinema.

She received her Ph.D. in 2001 from Yale University where she wrote a dissertation entitled "Mystics Without God: Spirituality and Form in Italian and French Modernism," an analysis of the historical and intellectual context for the self-descriptive use of the term "mystic without God" in the works of Gabriele d'Annununzio and Paul Valéry.

In Spring 2009, she was organizer of the California Interdisciplinary Consortium for Italian Studies (CICIS) Annual Conference, held at the Stanford Humanities Center. She was also organizer of the interdisciplinary conference on Language, Literature, and Mysticism held at the Stanford Humanities Center on 15 and 16 October 2010.

She is currently working on a new book entitled Lazarus' Silence: Near-Death Experiences in Fiction, Science, and Popular Culture. It is the first cultural history of near-death experiences in the twentieth-century West, and it puts literary rewritings of the Biblical Lazarus story – by major authors such as Leonid Andreyev, Miguel de Unamuno, D. H. Lawrence, Luigi Pirandello, Graham Greene, Georges Bataille, André Malraux, and Péter Nádas – in the double context of popular versions of coming back to life in testimonies, fiction, and film, and of evolving medical and neuroscientific investigation. Its central questions are: how near-death stories shape our understanding of consciousness; and how they affect our care for the dying.

Education

2001: PhD, Department of Italian Language and Literature, Yale University
1991: BA, Yale University, Summa cum Laude, double major in French (with Distinction) and Italian (with Exceptional Distinction)
1986: French Baccalaureate, Lycée Français de Washington (Washington, D. C.), with honors

COURSES

ITALIAN 75N Narrative Medicine and Near-Death Experiences (FRENCH 75N)

Even if many of us don't fully believe in an afterlife, we remain fascinated by visions of it. This course focuses on Near-Death Experiences and the stories around them, investigating them from the many perspectives pertinent to the growing field of narrative medicine: medical, neurological, cognitive, psychological, sociological, literary, and filmic. The goal is not to understand whether the stories are veridical but what they do for us, as individuals, and as a culture, and in particular how they seek to reshape the patient-doctor relationship. Materials will span the 20th century and come into the present. Taught in English.

FRENCH 75N Narrative Medicine and Near-Death Experiences (ITALIAN 75N)

Even if many of us don't fully believe in an afterlife, we remain fascinated by visions of it. This course focuses on Near-Death Experiences and the stories around them, investigating them from the many perspectives pertinent to the growing field of narrative medicine: medical, neurological, cognitive, psychological, sociological, literary, and filmic. The goal is not to understand whether the stories are veridical but what they do for us, as individuals, and as a culture, and in particular how they seek to reshape the patient-doctor relationship. Materials will span the 20th century and come into the present. Taught in English.