Vincent Barletta is Associate Professor of Comparative Literature and Iberian and Latin American Cultures and Research Associate at Stanford's Europe Center in the Freeman Spogli Institute for International Studies. His research and teaching focus on medieval and early modern Iberian literatures; Iberian empire and humanism; Islam and Aljamiado literature; comparative literature; literature and linguistic anthropology; literature and philosophy.
His current book project, After Prometheus: Rhythm and Poetics in Early Modern Iberia, analyzes key philosophical and poetic theorizations of rhythm in Catalan, Portuguese, and Spanish from the fifteenth through seventeenth centuries. His most recent book is Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700 (U of Chicago P, 2013), co-edited and translated with Mark L. Bajus and Cici Malik. Before this, he authored Death in Babylon: Alexander the Great and Iberian Empire in the Muslim Orient (U of Chicago P, 2010), which focuses primarily on the ideologies of empire and classical motifs that inform Portuguese expansion into Muslim Africa and Asia. He is also the author of Covert Gestures: Crypto-Islamic Literature as Cultural Practice in Early Modern Spain (U of Minnesota P, 2005), for which he was awarded the La corónica International Book Award, and editor/translator of Granadan Morisco Francisco Núñez Muley's A Memorandum for the President of the Royal Audiencia and Chancery Court of the City and Kingdom of Granada (U of Chicago P, 2007). In recent years, he has also published research on writers such as João de Barros, Luís de Camões, Joanot Martorell, Fernão de Oliveira, Fernão Mendes Pinto, António Vieira, and Ramon Llull.
Before joining the Stanford faculty in 2007, Vincent Barletta taught at the University of Colorado, Boulder. He received his PhD in Hispanic Languages and Literatures at UCLA, after which he carried out two years of post-doctoral study within UCLA's Department of Anthropology/Center for Language, Interaction, and Culture.